Events

Upcoming Events

REGISTRATION IS OPEN

REGISTRATION IS OPEN

Writing as Liberation: Black Women Writers in Conversation

Join Taller Electric Marronage for this gathering of Black women writers as we celebrate the debut works of Alexis V. Jackson, author of My Sisters’ Country and Candice Benbow, author of Red Lip Theology. Moderated by Deesha Philyaw, author of The Secret Lives of Church Ladies, this event features readings from Jackson and Benbow followed by a conversation on Black womanhood, spirituality, and writing as a means of liberation.

Purchase Jackson’s My Sisters’ Country at Kore Press with the promo code: WritingAsLiberation.

Purchase Philyaw’s The Secret Lives of Church Ladies at WVU Press with the promo code: SECRETCLUB30.

Past Events

A Book Talk with Dr. Treva B. Lindsey

Please join Taller Electric Marronage and the JHU Center for Africana Studies for an evening with Dr. Treva B. Lindsey to discuss her new book AMERICA GODDAM: Violence, Black Women, and the Struggle for Justice (UC Press, 2022)

Monday, May 16, 2022

Time: 5pm to 7pm EST

CLICK THE LINK: bit.ly/EMAmericaGoddam

Book available here.

Book Talk: Toward Camden and Magical Habits

Reflections on intimate writing, mixed genre memoir, and the practice of writing Boricua and Chicana lives.

Featuring: Mercy Romero author of Toward Camden and Monica Huerta Magical Habits

Friday April 1, 2022

Register: tinyurl.com/EMmagicalcamden

Solidarities: Anarchy

Please join us on March 11th at 12pm ET for the Electric Marronage Solidarities Speaker Series:

Solidarities: Anarchy

A forum regarding Questions, Practices, & Frictions within and across Anarchist Histories & Movements.

featuring: Theresa Warburton, William C. Anderson, and Jorell Melendez-Badillo


Solidarities: Black Girlhood Conversations

Featuring a conversation with: Annette Joseph-Gabriel + Crystal Webster + Nazera Wright + Kabria Baumgartner + Aria Halliday + Habiba Ibrahim


Black New Orleans

History x Art X Narrative. Featuring: Cierra Chenier, Mona Lisa Saloy, Kristina Kay Robinson

December 8, 2022


SOLIDARITIES: POETICS IN RELATION :: JUNE 17, 2021 6pm EST :: REGISTER HERE

Solidarities: Poetics in Relation

Poetry Readings & Conversations across Black, Mexican American, Puerto Rican, and Salvadoran Poetics

Thursday June 17, 2021


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Electric Marronage: Inaugural Solidarities Event

A conversation about solidarities, abolition & relationality across Black, Indigenous/Asian/Pacific/Caribbean experiences

Thursday May 13, 2021


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Matrilineal Memory: Mapping the Body Home

In this workshop we will mine personal stories to deepen our understanding and connect to our embodied memories of freedom.

Tuesday, April 20th
2pm - 4pm EST


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Electric.Marronage presents Mouths of Rain: An Anthology of Black Lesbian Thought, a conversation with editor Briona Simone Jones, contributor, writer, and poet Alexis De Veaux, and our co-directors, Drs. Yomaira Figueroa and Jessica Marie Johnson.

Friday, March 19th | 12:00 PM EST


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EM Bomba Workshop with Bombazo Dance Co.

Each Wednesday in February 12:40 PM to 2:00 PM EST


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Artist Talk: Rebecca Mwase in Conversation with Jessica Solomon.

Saturday, February 6th at 1pm, join us online at the Critical Conversations on Reproductive Health/Care: Past, Present, and Future to talk with our Artist In Residence: Rebecca Mwase. The conversation will explore the intersections of race, pain and care, and will feature a workshop and Q&A.

Rebecca Mwase is a Zimbabwean-American theater and performance artist, creative consultant, producer, educator and cultural organizer working at the intersection of art and social justice. She has trained with ArtSpot Productions, Dah Theater, the Highlander Center for Research & Education, Urban Bush Women and Junebug Productions in cultural organizing, devising and storytelling.


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ELECTRIC LABORATORY: A Conversation with Dark Laboratory x Electric.Marronage

Monday, January 25th | 4-6pm

Join us Drs. Yomaira Figueroa and Jessica Marie Johnson of Taller Electric Marronage and Drs. Tao Leigh Goffe and Tiffany Lethabo King of Dark Laboratory for a conversation on decoloniality and Black modes of being.

READ ABOUT THE ROUNDTABLE HERE


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CARIBE FRACTAL // FRACTAL CARIBBEAN
Works by José Arturo Ballester Panelli

Curators Stephany Bravo + Dr. Yomaira Figueroa | An Electric Marronage + the RCAH LookOut Gallery production.

Opening Event: Tuesday, December 15, 2020, 5:00-6:30pm

Visit the Virtual Exhibition at RCAH

José Arturo Ballester Panelli, is an Afro-Boricua artist based in Puerto Rico & the U.S. Virgin Islands. His work explores the connections between photography, Afro-Caribbean aesthetics, history and the racial, social and ecological system in the Caribbean and its diasporas.


 

INSURGENCY: LIBRARIES AND ARCHIVES AGAINST ENCLOSURE
Workshops & Public Talk

Dr. Aleia Brown, Assistant Director of the African American History, Culture and Digital Humanities (AADHum) Initiative

Dr. Aleia Brown, Assistant Director of the African American History, Culture and Digital Humanities (AADHum) Initiative

Jennifer Ferretti, Digital Initiatives Librarian at the Maryland Institute College of Art

Jennifer Ferretti, Digital Initiatives Librarian at the Maryland Institute College of Art

Bilphena Yahwon, Curator of The Womanist Reader

Bilphena Yahwon, Curator of The Womanist Reader

Aleia Brown is a public historian, curator, writer, and freedom seeker. At the University of Maryland, College Park, she serves as the Assistant Director of the African American History, Culture and Digital Humanities (AADHum) Initiative where she co-directs the Restorative Justice Project and leads research, teaching, and programmatic initiatives. She was the recipient of the 2017 Mellon-ACLS public fellowship and served as program manager at the Humanities Action Lab at Rutgers University-Newark where she launched Climates of Inequality: Stories of Environmental Justice. She is the co-curator for Ubuntutu: Life Legacies of Love and Action and co-author of the exhibition catalog by the same name. Her current manuscript in progress reckons with the historical mishandlings of Black women’s textile art and illuminates the sophisticated ways that makers have visualized Black political thought. She holds a PhD in Public History from Middle Tennessee State University.

Jennifer A. Ferretti (she/her/hers) is an artist and Digital Initiatives Librarian at the Maryland Institute College of Art on Piscataway Land (Baltimore, Maryland). She is a first-generation American Latina/Mestiza whose librarianship is guided by critical perspectives, not neutrality. With a firm belief that art is information, she is interested in the research methodologies of artists and non-Western forms of knowledge making and sharing. Jennifer is a Library Journal 2018 Mover & Shaker and a founding member of We Here and Shades Collective

Bilphena Yahwon is a Baltimore based writer, abolitionist and restorative practices practitioner born in Liberia, West Africa. She is the curator of the online library, The Womanist Reader, which is dedicated to archiving free texts from Black women writers across the diaspora. Bilphena’s work uses a womanist approach and centers the needs and well-being of Black women and Black children.

Workshop I: “Disciplines as Domination: How Interrogating Traditional Research and Knowledge Will Help Make Our Libraries and Archives More Equitable”
Facilitator: Jennifer A. Ferretti

Workshop II: “bl(x)ck rhizomes: fugitive planning & black museum study”
Facilitator: Dr. Aleia Brown

WORKSHOPS | THURSDAY, DECEMBER 3RD

Public Talk | Insurgency: Libraries and Archives Against Enclosure
December 4th | 4:30pm to 6:00pm

This public talk creates a space for librarians, archivists, faculty, graduate students, and the community to engage questions about archives, museums, representation, and more. This conversation between Brown and Ferretti, moderated by Bilphena Yahwoon, curator of The Womanist Reader, will speak to their experiences working in or with libraries and archives, challenges within these spaces, and how they have or seek to transform and restore such spaces.


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Wax Workshop & Rapid Response Workshop

Alex Gil is the Digital Scholarship Librarian at Columbia University Libraries. He collaborates with faculty, students and library professionals leveraging computational and network technologies in humanities research, pedagogy and knowledge production. He is among the founders of several ongoing, warmly received initiatives where he currently plays leadership roles: Co-director of the Studio@Butler at Columbia University, a tech-light library innovation space focused on digital scholarship and pedagogy; co-founder and moderator of Columbia’s Group for Experimental Methods in the Humanities, a vibrant trans-disciplinary research cluster focused on experimental humanities; senior editor of sx archipelagos, a journal of Caribbean Digital Studies, and co-wrangler of The Caribbean Digital conference series. He is also founder and former chair of Global Outlook::Digital Humanities.

Active digital projects include Ed, a digital platform for minimal editions of literary texts, and Wax for minimal exhibits of cultural artifacts; In The Same Boats, a visualization of trans-Atlantic intersections of black intellectuals in the 20th century; and most recently, the nimble tent interventions Torn Apart/Separados and Covid Maker Response.

THURS. OCTOBER 1ST | 11AM to 3PM
WAX WORKSHOP

FRIDAY, OCTOBER 2ND | 11AM TO 3PM
RAPID RESPONSE WORKSHOP


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Twine Workshop I & II

Marisa Parham is Visiting Professor of English at the University of Maryland, where she serves as director for the African American Digital Humanities initiative (AADHUM), and is the associate director for the Maryland Institute for Technology in the Humanities (MITH). She also co-directs the Immersive Realities Lab for the Humanities, which is an independent workgroup for digital and experimental humanities (irLhumanities). Her research explores texts and technologies that problematize assumptions about time, space, and bodily materiality, focusing on how such terms share a history of increasing complexity in texts produced by African Americans, thus expanding intersectional approaches to digital humanities. Recently published examples of this work include “Sample | Signal | Strobe: Haunting, Social Media, and Black Digitality,” and the interactive long-form scholarly essays, .break .dance, and Breaking, dancing, making in the machine. She is currently developing Black Haints in the Anthropocene, a book-length born-digital project that focuses on memory, haunting, digitality, and Black environmental experience. From 2001 to 2020, she served as Professor of English and Faculty Diversity and Inclusion officer at Amherst College, where in 2018 she was awarded its inaugural teaching award. She is also a former director of Five College Digital Humanities. Marisa Parham earned her doctorate degree in English and Comparative Literature from Columbia University in 2004.

WED. OCTOBER 21ST | 11AM TO 1PM
TWINE WORKSHOP PART I

THURS. OCTOBER 22ND | 11AM TO 1PM
TWINE WORKSHOP PART II